Tuesday, February 10, 2009

Library of Borges: Vol. 6

Why does it disturb us that the map be included in the map and the thousand and one nights in the book of the Thousand and One Nights? Why does it disturb us that Don Quixote be a reader of the Quixote and Hamlet a spectator of Hamlet? I believe I have found the reason: these inversions suggest that if the characters of a fictional work can be readers or spectators, we, its readers or spectators, can be fictitious. In 1833, Carlyle observed that the history of the universe is an infinite sacred book that all men write and read and try to understand, and in which they are also written.

from "Partial Magic in the Quixote"
in Labyrinths

Library of Borges: Vol. 5

Time is the substance I am made of. Time is a river that sweeps me along, but I am the river; it is a tiger which destroys me, but I am the tiger; it is a fire which consumes me, but I am the fire. The world, unfortunately, is real; I, unfortunately, am Borges.

from "A New Refutation of Time"
in Labyrinths

Mastodon-ticipation: [Exhibit A for Awesome]

"There is a paraplegic and the only way that he can go anywhere is if he astral travels. He goes out of his body, into outer space and a bit like Icarus, he goes too close to the sun, burning off the golden umbilical cord that is attached to his solar plexus. So he is in outer space and he is lost, he gets sucked into a wormhole, he ends up in the spirit realm and he talks to spirits telling them that he is not really dead. So they send him to the Russian cult, they use him in a divination and they find out his problem. They decide they are going to help him. They put his soul inside Rasputin's body. Rasputin goes to usurp the czar and he is murdered. The two souls fly out of Rasputin's body through the crack in the sky(e) and Rasputin is the wise man that is trying to lead the child home to his body because his parents have discovered him by now and think that he is dead. Rasputin needs to get him back into his body before it's too late. But they end up running into the Devil along the way and the Devil tries to steal their souls and bring them down…there are some obstacles along the way."

Mastodon drummer Brann Dailor describing the geeky-awesome concept behind their upcoming album, sure-to-be-prog-metal-opus, Crack the Skye

Library of Borges: Vol. 4

A man sets himself the task of depicting the world. Year after year, he fills a space with images of provinces, kingdoms, mountains, bays, ships, islands, fishes, rooms, instruments, stars, horses, and people. Just before he dies, he discovers that out of this patient labyrinth of lines emerge the features of his own face.

From "Afterword"
in The Maker

Saturday, January 24, 2009

Library of Borges: Vol. 3

I was born on August 24, 1899. I'm happy about this because I like the nineteenth century very much, although it could be said to the detriment of the nineteenth century that it led to the twentieth century, which I find less admirable.

from "First Conversation"
in Seven Conversations with Jorge Luis Borges

Wednesday, January 21, 2009

Library of Borges: Vol. 2

What is a divine mind? the reader will perhaps inquire. There is not a theologian who does not define it; I prefer an example. The steps a man takes from the day of his birth until that of his death trace in time an inconceivable figure. The Divine Mind intuitively grasps that form immediately, as men do a triangle. This figure (perhaps) has its given function in the economy of the universe.

from "The Mirror of Enigmas"
in Labyrinths

Tuesday, January 20, 2009

Library of Borges: Vol. 1

Music, states of happiness, mythology, faces belabored by time, certain twilights and certain places try to tell us something, or have said something we should not have missed, or are about to say something; this imminence of a revelation which does not occur is, perhaps, the aesthetic phenomenon.

from "The Wall and the Books"
in Labyrinths